Performance and the City

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Winner of the Association for Theatre in Higher Education Excellence in Editing Award 2016

Urban studies has long understood the city as a 'text'. What would it mean now to use performance to rethink that metaphor? Performance and the City queries the role theatre and performance play in urban policy, architecture, and civic history, while also exploring their important place in the memories created in the wake of urban trauma.

Kim Solga and D.J. Hopkins and Shelley OrrD.J. HopkinsMarla CarlsonD.J. Hopkins and Shelley OrrRebecca SchneiderKim SolgaRic KnowlesRebecca Ann RuggMichael McKinnieShelley OrrMarlis SchweitzerKim SolgaCurated by Kathleen Irwin, Rachelle Viader Knowles and Laura LevinKim SolgaJoanne TompkinsJen HarvieKlaus van den BergLaura LevinBarbara Hodgdon

List of Illustrations	p. vii
Acknowledgements	p. ix
Notes on Contributors	p. x
Introduction: City/Text/Performance	p. 1
Part I Pedestrianisms, or Remembering the City
Pedestrianisms, or Remembering the City: Introduction	p. 13
1 Ways to Walk New York After 9/11	p. 15
2 Memory/Memorial/Performance: Lower Manhattan, 1776/2001	p. 33
3 Patricide and the Passerby	p. 51
Part II Urban Performance and Cultural Policy
Urban Performance and Cultural Policy: Introduction	p. 71
4 Multicultural Text, Intercultural Performance: The Performance Ecology of Contemporary Toronto	p. 73
5 Mission Accomplished: Broadway, 9/11, and the Republican National Convention	p. 92
6 Performing the Civic Transnational: Cultural Production, Governance, and Citizenship in Contemporary London	p. 110
Part III Performing (for) One Another: Constructing Communities
Performing (for) One Another: Constructing Communities Introduction	p. 131
7 Surviving the City: Press Agents, Publicity Stunts, and the Spectacle of the Urban Female Body	p. 133
8 Dress Suits to Hire and the Landscape of Queer Urbanity	p. 152
9 Global Exposures: Blur Street and Interurban Self-Portraiture (a Photo-Essay)	p. 169
Part IV At the City Limits
At the City Limits: Introduction	p. 185
10 Staging the Imagined City in Australian Theatre	p. 187
11 Agency and Complicity in `A Special Civic Room': London's Tate Modern Turbine Hall	p. 204
12 Staging a Vanished Community: Daniel Libeskind's Scenography in the Berlin Jewish Museum	p. 222
13 Can the City Speak? Site-Specific Art After Poststructuralism	p. 240
Afterword: Performing the City - A Wonder Cabinet	p. 258
Index	p. 262

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