摘录

Chapter One FOR ELIZABETH DEWBERRY There is a moment now, come suddenly upon us, when the sound of the motorbikes from the street has faded almost to silence, and I can smell, faintly, the incense I have burned, and I am naked at last. He is naked, too, though I still have not let my eyes move beyond his face and his arms and his hands. He is very gentle, very cautious, and to my surprise, I say, "I have never done this before." I am lying on my bed and he is beside me and we are lit by neon from the hotel across the street and he has touched only my shoulders. His hands are moving there when I say these words, and they hesitate. There is also a hesitation in me. I hear what I have said. Some place inside me says these words are true, and some other place says that I am a liar. I am twenty-six years old and I have been with two men in my life. But I was never with them in this bed, I was never with them in this room where I was a child of my grandmother, this room where I keep the altar to my dead father, and when I removed my clothes with these men, I did not feel I was naked with them, though I wished to be. There was fear in my heart and incomprehension in their eyes, and when we rose from the places where we touched, I felt nothing except that I was alone. Until this moment with Ben, I have known how to understand that. I am a girl of this new Vietnam. I am not my mother, who is of a different Vietnam and who had her own fear and incomprehension with men, and who is far away from me. I am alone in this world but it is all right, I have always thought, because in a great socialist republic everyone is equal and each of us can find a place in the state that holds us all. There is no aloneness. But everything is different now. I am suddenly different. I am naked. This is what I wish to tell him with my words. It is what I wish to tell myself. There is a surge of sound in the room, the motorbikes again, the others going around and around the streets of Ho Chi Minh City on a Saturday night, and I wish it was quiet again. I want to hear the sound of his breathing. I want to hear the faint stretching of him inside his skin as he lifts slightly away from me in thought and turns his head to the window. His chest is naked and so is mine. I feel my nipples tighten at the thought of him and I want it to be quiet and I want the light to be better too. I want to look at his body, this part at least. No more for now. I want to start with this naked chest of his and also his hands, which I have been able to see for these past days but that I have not yet really looked at. I take one of these hands now in mine as he thinks about what I have said. I take it and in the cold red burning of the neon light I can see his thick hand. He worked once in the steel mills. He told me of their fire. He worked once driving a great truck many thousands of miles across his country, the United States of America, gripping the steering wheel of this truck, and I love the corded veins here as I hold his hand. "It is all right," I say. I lift his hand and put it on my chest. I cover my yearning nipple. I look down at his hand on me and it is very large and my own hands are small and my fingers are slender and his are not, his are thick and his skin in the light from the moon and the hotel across the street seems pale and mine seems darker. I am Vietnamese. Every Vietnamese child hears the tale of how our country began. Once long ago a dragon who was the ruler of all the oceans lived in his palace in the deep deep bottom of the South China Sea. He grew very lonely, so he rose up from the sea and flew to the land, the rich jungles and mountains and plains that are now our Vietnam. And there he met a fairy princess. A very beautiful princess. And they fell in love. This is the thing that is told to us so easily and no one ever questions her mother or her grandmother or her aunt or her friend hiding with her in the dark roots of a banyan tree, even here in Saigon, the great banyan tree in the park on Dong Khoi that was there a hundred years before the revolution. I heard the story there, on the street, and you never think to ask whoever is telling you, How did this happen? How did this feeling happen between two such different creatures? My friend Diep, who was also the daughter of a prostitute, but one who did not flee, who did not give her daughter over to what she saw was a better life, my friend whispered this story to me and a stripe of light lay on her face through the cords of the roots in the banyan and she said that the fairy princess and the dragon fell in love and they married and then she laid a hundred eggs in a beautiful silk bag. And I said only, Yes, like I understood such a thing. I said, Did he love her very much? Yes. Diep said. Very Much. And the princess had one hundred children. And there was no childhood for them. They grew instantly upon birth into very beautiful adults. Diep told me that they were both princes and princesses. Fifty boys and fifty girls. For a while they all lived together and the fairy princess was happy and the children were happy. But the dragon was not. He missed the sea and one day the fairy princess woke and he was gone. He had returned to his palace beneath the water. She understood. She tried to live on without him. But it was very difficult because she was very much in love with him. And so she called him back. I do not know how. I did not think to ask. Somehow he knew to come back and yet he could not stay. He told her that their differences were too great. He could not be happy in the land. He had to return to his palace, though he promised that if she ever knew any danger or terrible hardship he would come back to help. So he took fifty of their children with him and he returned to the sea. And she took fifty of their children with her to the mountains. And these children became the people of Vietnam. It seemed a very beautiful sad story to me. And I came home to the very room that I lie in with this man. Years ago in this place I came home to my grandmother and I told her the story and she said that it was true. No. Not my grandmother. She and I lived in this room for most of the time I was a child. But I heard about the dragon and the fairy princess before that. I came to my mother, and that was near to this place but not in this room, and I was perhaps seven years old, and I told her the story and she said it was true. But she corrected one thing. They were all sons. A hundred sons. And the eldest of them became the first king of Vietnam. I did not ask anything more, questions I now have that roll in me and break in me more strongly than the waves of the dragon's precious sea. It is this that I wonder as I hold this man's hand in my bed: how did she look upon her dragon when she first lay with him? Did the princess take the great scaled hand of this creature that she was loving so strongly even then, ready as she was to open her body to him, did she put her tiny, silken hands on his and did she pass her fingers softly over the layers of his hard flesh still smelling of the sea, did she touch the tips of his claws, did she look into his great red eyes and see all the gentleness that she had dreamed for? And surely the answer is yes. Surely that is what she did. I cannot see Ben's eyes. Not the color of them. Not what might be there of his heart. He turns his face to me when I lead him to touch my breast and there is only shadow where his eyes are and I cannot see. But I feel him through his hand. He is very gentle in this place of steel mills and trucks and I know he likes the touch of me and I know this even though he lifts his hand now. Just the tiniest bit so that he does not touch me with his flesh, but I can still feel the heat of him. "Are you sure?" he says. He believes this thing I have said about myself. I believe it, too. And I am sure of this: with this man, I am naked and I do not feel as if I am alone. "Yes," I say, and he puts his hand on me but not over my nipple. He puts his hand in the center of my chest, between my breasts, and the tip of his middle finger is in the hollow of my throat. It feels as if he touches my whole body with his palm and I do not know what is to come and I tell myself I do not care. Copyright © 1997 Robert Olen Butler. All rights reserved.