Intimate lies : F. Scott Fitzgerald and Sheilah Graham : her son's story

In 1937, F. Scott Fitzgerald, broken in spirit and desperate for money, headed for Hollywood to work as a screenwriter. It was there that he met the lovely young Sheilah Graham, a fledgling columnist. Told by Graham's son, this book brings a personal perspective to their remarkable story. 16 pages of photos.

出版社周刊评论

The torturous love affair of novelist F. Scott Fitzgerald and Hollywood gossip columnist Sheilah Graham, his last flame, was related in Graham's 1958 bestseller, Beloved Infidel, which became a movie. In that book and several autobiographical sequels, Graham (1904-1988) cast Fitzgerald as a wounded romantic genius and herself as a devoted nurse. Now her son, using her diaries, letters and notes, tells the unvarnished love story of a failed snob and a pretty, false young woman escaping her past. Fitzgerald, who collapsed and died in 1940 in Graham's apartment, had come to Hollywood three years earlier, his fame eclipsed and his wife, Zelda, shut away in a North Carolina mental institution. His romance with Graham was ruined by his drinking binges. Graham, who fabricated a past as a British society lady turned actress, eventually revealed to Fitzgerald her true identity: she was born Lily Shiel, daughter of a Ukrainian Jewish immigrant family in London's East End. Westbrook, whose father, an English industrialist, divorced Sheilah months after his son's birth in 1945, is a novelist (The Magic Garden of Stanley Sweetheart). Photos. Author tour. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved

Kirkus评论

The romance between F. Scott Fitzgerald and Sheilah Graham, as earnestly rendered by her novelist son (Rich Kids, 1992, etc.). In July of 1937, when 40-year-old Fitzgerald headed for his third stint in Hollywood, his novels were for the most part out of print, he was nearly $40,000 in debt, and his wife, Zelda, was institutionalized. Still, he was not drinking; he was filled with determination. At a party of Robert Benchley's, he spotted Sheilah Graham, a former chorus girl from London's East End who was working as a gossip columnist for a newspaper syndicate. She and Fitzgerald started an affair; she was initially nervous because he asked detailed questions about her childhood, and she'd invented aristocratic relatives and falsely described herself as a bored society girl who'd been slumming in the theater. But she finally spilled the truth, describing the poverty that had driven her mother to have her committed to an orphanage and the sexual maneuverings that had accompanied her life onstage. He was tender, drawn by her vulnerability and curious about her character (she became the model for the heroine of The Last Tycoon). Their romance was punctuated by his occasional, cataclysmic tumbles off the wagon. He steered her to great books; she tried to control his drinking. Periodically they would break up; always they would reconcile. He died at her home in December 1940. Despite Westbrook's family ties, it's Grahamthe sex-charged, self-invented womanwho remains two-dimensional. Fitzgerald, on the other hand, mesmerizes as he self-destructs, compelling his lover with his fragility and generosity and trumpeting his pain and frustration via bludgeoning cruelty and extravagant gin binges. What lingers, though, is not the unsynchronized dance of the lovers' mutual demons, but the portraitfamiliar but poignant nonethelessof Hollywood running roughshod over literary talent, and of the grim ravages of alcoholism. (photos, not seen.) (Author tour)

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