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摘要
摘要
The Corrections is a grandly entertaining novel for the new century -- a comic, tragic masterpiece about a family breaking down in an age of easy fixes. After almost fifty years as a wife and mother, Enid Lambert is ready to have some fun. Unfortunately, her husband, Alfred, is losing his sanity to Parkinson's disease, and their children have long since flown the family nest to the catastrophes of their own lives. The oldest, Gary, a once-stable portfolio manager and family man, is trying to convince his wife and himself, despite clear signs to the contrary, that he is not clinically depressed. The middle child, Chip, has lost his seemingly secure academic job and is failing spectacularly at his new line of work. And Denise, the youngest, has escaped a disastrous marriage only to pour her youth and beauty down the drain on an affair with a married man -- or so her mother fears. Desperate for some pleasure to look forward to, Enid has set her heart on an elusive goal: bringing her family together for one last Christmas at home.Stretching from the Midwest at midcentury to the Wall Street and Eastern Europe of today, The Corrections brings an old-fashioned world of civic virtue and sexual inhibitions into violent collision with the era of home surveillance, hands-off parenting, do-it-yourself mental health care, and globalized greed. Richly realistic, darkly hilarious, deeply humane, it confirms Jonathan Franzen as one of our most brilliant interpreters of American society and the American soul.
评论 (2)
出版社周刊评论
If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson's-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer's writer and his previous novels have earned critical admiration, but his sales haven't yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG's publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.(c) Copyright PWxyz, LLC. All rights reserved
《图书馆杂志》(Library Journal )书评
Here's a family that will never be mistaken for the Royal Tennenbaums. Meet the Lamberts: Dad is a retired railroad man who is slipping into dementia; Mom is still trying to believe in the rosiest possible marriage and family life; and their grown children are each living out a catastrophe. The youngest son is failing miserably as a sort of screenwriter in Lithuania, the daughter is a chef of some accomplishment who can't seem to keep out of bed with just about anyone, and the oldest son is yelling at and withholding affection from his family just as his father did before him. The family home is in St. Jude (aptly named for the patron saint of hopeless causes). Enid, the wife and mother, wants the whole family together for one last Christmas before her husband, Alfred, slips beyond reach. Getting them all under the same roof even for a few hours is a massive undertaking. Franzen is a keen observer of the way the world works, and it is a tribute to his skill as a novelist that the listener remains interested in the craziness of these lives. Reader Dylan Baker brings these quirky characters to life. Recommended for fiction collections in public libraries. - Barbara Valle, El Paso P.L., TX (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.