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摘要
摘要
The history of literature about war is marked by a fundamental paradox: although war forms the subject of countless novels, dramas, poems, and films, it is often conceived as indescribable. Even as many writers strive towards an ideal of authenticity, they maintain that no representation can do justice to the terror and violence of war. Readings of Schiller, Kleist, Jünger, Remarque, Grass, Böll, Handke, and Jelinek reveal that stylistic and aesthetic features, gender discourses, and concepts of agency and victimization can all undermine a text's martial stance or its ostensible pacifist agenda. Spanning the period from the Revolutionary and Napoleonic Wars to the recent wars in Yugoslavia and Iraq, this book investigates the aesthetic, theoretical, and historical challenges that confront writers of war.
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To negotiate her territory, Krimmer (Univ. of California, Davis) divides her discussion into four parts, looking at the Napoleonic Wars, WW I, WW II, and Yugoslavia and Iraq. Those knowledgeable about German literature will recognize the important authors: Friedrich Schiller, Carl von Clausewitz, Heinrich von Kleist, Ernst Junger, Erich Maria Remarque, Heinrich Boll, Gunter Grass, Elfriede Jelenek, and Peter Handke, among others. Some of these authors had military experience, among them Kleist, whereas others (e.g., Schiller) had none. Some embody war with myth (as in the case of Junger), some with victimization (Boll), others with accountability (Grass). But all, at one level or another, cast war as ennobling, sublime, cathartic, manly, and transformative. Most leave open the question of whether war can be eradicated (because it is subject to human agency) or is a natural disaster (outside human control). Krimmer discusses all this and also provides excellent endnotes and bibliography and a superb index. Summing Up: Recommended. Upper-division undergraduates through faculty. L. J. Rippley St. Olaf College
目录
Acknowledgments | p. ix |
1 Introduction | p. 1 |
Part I The Revolutionary and Napoleonic Wars | |
2 The Revolutionary and Napoleonic Wars: overview | p. 19 |
3 War and the sublime: Schiller | p. 27 |
4 War and terror: Kleist | p. 46 |
Part II The First World War | |
5 The First World War: overview | p. 65 |
6 War and myth: Jünger | p. 71 |
7 War and the body: Remarque | p. 88 |
Part III The Second World War | |
8 The Second World War: overview | p. 107 |
9 War and victimization: Böll | p. 114 |
10 War and accountability: Grass | p. 133 |
Part IV Yugoslavia and Iraq | |
11 Yugoslavia and Iraq: overview | p. 151 |
12 War and peace: Handke | p. 155 |
13 War and the media: Jelinek | p. 175 |
14 Conclusion | p. 197 |
Notes | p. 203 |
Bibliography | p. 226 |
Index | p. 262 |