出版社周刊评论
A refreshing departure from the sweeping historical novel, Richaud's slight but charming tale depicts the swirling world of Louis XIV's court as seen through the eyes of Jean-Baptiste de La Quintinie, the king's detached and philosophical gardener. La Quintinie, a little man with a mysterious past he abandoned a promising law career to become a horticulturist is an odd figure at the palace of Versailles, where flatterers and courtesans bask in the glow of the Sun King. Only La Quintinie seems able to escape the decadence of palace life, taking refuge in the beauty of his gardens and the changing of the seasons. Despite his reluctance to enter court, the little gardener strikes up a respectful friendship with the king, who takes genuine delight in his flourishing gardens. But La Quintinie much prefers his rustic routine to the fickle falseness of the city. When summoned to Paris at the behest of the king, he attends a masquerade ball where guests don outlandish disguises and gossip cattily about each other. Horrified, La Quintinie returns to the countryside and begins to involve himself in the lives of the impoverished workmen and peasants who live near Versailles, teaching them to garden and delivering seeds and manure to their homes. When he strikes up a correspondence with political radical Philippe de Neuville, La Quintinie must confront the injustice of the king's attitudes to the poor and his own complicity with the king's regime. Constructed of anecdotes, snatches of conversation and excerpts of the letters written by La Quintinie and Neuville, this novel is a contemplative read. Readers desiring a brief, elegant immersion into 17th-century France will find it to their liking. (May) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus评论
The greening, one might say, of its stoical (eponymous) protagonist is the gradually flowering theme of this eloquent récit by a young French writer. The time is the 1670s, the place primarily Louis XIVs pleasure palace of Versaillesto which the vainglorious monarch repairs frequently to escape from the boredom of ruling and the pressures of successful military campaigns against Holland and Germany. Richauds focal character, however, is Jean-Baptiste de La Quintinie, Steward of the Orchards and Kitchen Gardens: a recluse who seems to have no past, and no present relationships or interests away from his duties, and who is much admired by the grateful king and his retainers for the bountiful products of his horticultural skills. Richaud patiently depicts the gardeners gradual awakening to his masters arrogance and self-indulgence, as he forms friendships with long-suffering neighboring peasants, and corresponds with casual acquaintance Philippe de Neuville, a radical critic of the regimes spiritual tyranny and disregard for social equality. La Quintinies own radicalization crystallizes at a lavish banquet at Versailles, during which he ruefully observes Louiss frivolous guests devouring in minutes what had cost him a lifetime to produce. The gardener, forced to conclude that his dream of an enclosed world, yet one without boundaries will never be realized, undertakes a withdrawal from the unreal world of the court, which assumes richly suggestive symbolic form in the poignant closing pages. Neither the novels movement toward stasis nor Richauds unfortunate decision to overexplain its meanings detracts significantly from the force of this delicately crafted little allegory: it evokes memories of both Voltaires Candide and José Saramagos teasing parabolic fiction. One might in fact say that Gardener to the King is the novel Jerzy Kosinski triedand failedto write in his leaden Being There. Its a beautiful piece of work.
《书目》(Booklist)书评
Readers--and publishers--take note. Successful historical novels don't always have to be massive accumulations of detail. The sheer, elegant approach can work just as well, as this lovely, little first novel attests. Richaud's focus may be narrow, but his story has the resonance of a beautiful piece of music. He evokes the France of King Louis XIV by training a beam of light on the man who was in charge of the gardens of Versailles, the opulent palace outside Paris where the Sun King centered his highly ceremonial court. As events in the outside world--particularly the wars Louis waged to establish hegemony in Europe--swirled around Versailles, the dedicated gardener waged his own battles and won victories over bugs and the elements. He went to Paris once, at the invitation of the King, but he couldn't wait to return to his garden at Versailles, where, in time, returning dust to dust, he was to die a natural death. A moving look at an individual life lived in the center of history. --Brad Hooper
摘录
Chapter One August 1674. At Versailles all the talk was of war. After the King's dazzling victory over Holland and what was seen as its overweening ambition, his two best generals, though formerly enemies, now joined forces to halt the European coalition that had just burst through France's northern borders. At Seneffe in Belgium the once-rebellious Prince de Condé was holding back the onslaughts of William of Orange. The flaring up of the campaign in the Low Countries filled the air with the clamour of drums, artillery and the cries of men. Each side counted its dead in thousands. On the frontier with Lorraine the peasants of the Palatinate had been and still were ruthlessly slaughtering anyone representing the authority of the King. Terrifying accounts filtered through to Versailles of how on moonless nights rustics armed with pitchforks and knives as long as a man's arm would appear out of the darkness, slit the throats of French soldiers, then vanish among the trees only to materialise again the next day somewhere else -- it might be anywhere. But by the grace of God, Turenne, the saviour of Alsace, had introduced a policy of such brutal repression that it was hoped he would soon quell these fearsome yokels. Villages were being torched, whole communities massacred. Day after day the gardens and galleries of Versailles seemed to echo with the din of battle or with the fainter but perhaps more terrible sound of flints whetting German blades. For twenty-four hours distraction might be provided and fear allayed by some magnificent court entertainment, the beauty of Athénaïs de Rochechouart, the tinkling of fountains or the music of the divine Lully. But next day everyone would be anxious again: was the army still advancing, how many prisoners had been taken, how many standards captured from the enemy? Usually the reports issued daily by the King and Colbert were tantalisingly terse: "The court may rest assured that Condé and Turenne are on the verge of victory." Naturally the court wanted to know more, and people spent hours watching out for the arrival of weary emissaries bearing accounts of their masters' manoeuvres. But the messengers were incorruptible and it was impossible to find out what was really going on. Condé and Turenne came to seem like heroes of myth. It was said of Condé in particular that after three horses had died under him one day in battle against the Dutch, he had called for a fourth and charged on alone in pursuit of the fleeing enemy. When they weren't shaking with fear at the thought of seeing a foe rise up before them in a dark alleyway or at a turn in a corridor, some courtiers had visions of becoming modern Alexanders themselves and performing great deeds of self-sacrifice or revenge. They never tired of telling admiring ladies how they would set out at once for the blood-soaked battlefields if only urgent matters didn't oblige them to remain in attendance on the King. * * * Jean-Baptiste de La Quintinie was unconcerned by such agitations. He lent only half an ear to the gory tales people told him, and observed from a distance the growing unease at court and the messengers' ceaseless comings and goings. It wasn't that he took no interest in the progress of the war and the fate of its heroes. He knew Condé well and was glad to hear of the exploits that were bringing him fresh glory. But he had a war of his own to fight, a war that was long and silent, a war that nobody talked about. La Quintinie's own grand manoeuvres had begun four years ago, after the King had relieved him of his duties to Fouquet and made him Steward of the Orchards and Kitchen Gardens of Versailles. The King's instructions had been quite clear. One day as he and his entourage were strolling along the paths designed by Le Nôtre, the monarch suddenly turned to his new gardener and said: "Do you know what I expect from the artists who work for me, Monsieur de La Quintinie?" "No, Sire." "Perfection, monsieur -- perfection. And, Monsieur de La Quintinie, you are an artist." And that demand, those expectations, far from annoying La Quintinie, had won him over. The three hectares for which he was responsible, and which, in the days before the great château was built, had supplied enough provisions for king and court after hunting parties and other country pleasures, had more recently had to be enlarged and redesigned to cope with heavier and more exacting requirements. Louis and his guests had taken to visiting Versailles more and more often once spring had arrived. So La Quintinie had improved the overall quality of the soil by the addition of clay, silica and chalk, and treated most of the beds with lime. He had new drains dug, and oversaw his men as they sowed seeds, built greenhouses and planted fruit trees. Once the new soil started to bring forth its first products, ranging from the most familiar to the rarest of varieties, the struggle became more subtle but perhaps even more arduous -- exhausting in summer when there was too little rain, and uncomfortable in autumn when there was too much, while in winter there was frost to be guarded against. All the year round the garden was threatened by predators -- birds, mammals and insects. So the gardener had his own campaigns, his own devoted army, his own weapons of wood and steel, his own victories and defeats. * * * From the day he was appointed, La Quintinie was an object of curiosity. Little was known about him save that the King had taken a fancy to him and that some years ago he had abandoned the law and taken up horticulture. But why had he cut short what according to those who knew him then was set to be a brilliant career? Had he been influenced by a visit to the botanical gardens at Montpellier? Or by his travels in Tuscany and the country around Rome? No one knew. But wherever it was that fate dictated a new turning, everyone believed God must have been behind the revelation, so much pleasure did his work bring to the souls as well as the bodies of those who enjoyed its results. At one period he had worked for Fouquet at Vaux-le-Vicomte, together with the architect Le Vau, the gardener Le Nôtre and the painter Lebrun, the three other magicians now working together to create the splendour that was to be Versailles. No one had forgotten Fouquet's sudden fall from grace: the former minister of finance, now imprisoned for the rest of his life for embezzlement, had really been brought low because his ostentatious life-style had aroused the wrath and envy of the King. But for fear of reawakening Louis' ire, people never referred to all that. * * * Though most of the courtiers liked or even admired La Quintinie, some were jealous of the way the King went to visit him among his plants, sometimes spending hours watching him at work in a trench or up a tree. The gardener seemed oblivious of the royal presence. Some said he was a Protestant, others that he was a former rebel and an avid reader of La Rochefoucauld's Memoirs . Others again accused him of atheism, alleging that they had heard him praising Vanini and his Admirandis Naturae . Once it was even rumoured that the letters he exchanged with eminent English and Italian botanists embraced matters other than seeds and technical discussions about how to grow radishes. The King, under pressure from those about him, once ordered Bontemps, his head valet, together with his blue-uniformed men, to spy on the gardener's doings for a few weeks. But they observed nothing out of the ordinary. * * * La Quintinie sometimes worked in his garden for days on end without putting in an appearance at court. And when his detractors did catch sight of him in one of the palace corridors they would take the opportunity to mock his lack of elegance. His rapid gait contrasted oddly with the awkwardness of his gestures. "He ought to engage the services of a dancing master." He went bareheaded and wore working clothes, with breeches, stockings and shoes all spattered with mud. "A tailor wouldn't come amiss, either." In the presence of those in high places he said little: you could tell he was only waiting for the moment when he could escape once more to his own domain. "Not to mention a tutor of rhetoric." But as soon as he was in his kitchen garden again his pace grew more relaxed, his movements graceful and precise. He knew every plant and insect by name. In the evening, as the shadows lengthened, people would come to talk to him, to profit not only from his knowledge of fruit and vegetables and the seasons, but also from the simple wisdom he had learned from the world over which he ruled. * * * La Quintinie seldom joined in the lavish festivities the King continued, war or no war, to provide. Dazzling displays of horsemanship clearly bored the gardener. So did the tournaments in which Monsieur, the King's eldest brother, showed off his skill with the lance. La Quintinie often earned up, full of apologies, after the proceedings had begun, or sometimes when they were over. Occasionally he vanished just as Monsieur was about to make a particularly Impressive charge. "No doubt Monsieur de La Quintinie has something better to do." "His work is very demanding ..." "Don't you think, Monsieur de Courtois, that I too would like to slip away whenever I felt like it from a tedious walk or an expensive game of cards?" "Why don't you, then, my dear fellow?" "Surely you know the rules? I know what would happen to me if I blithely abandoned my post. Have you forgotten what happened to the Comte de Rey a few months ago?" "I know nothing of it. What did happen?" "He made it a point of honour to appear at court as rarely as possible. He said he preferred his beloved countryside near Rouen. Then one day he needed to present a request to the King. And do you know what the King said to the official in charge of arranging audiences? `Monsieur le Comte de Rey?' he asked, when the list of petitioners was read to him. `Never heard of him.' The story spread like wildfire, and everybody said they'd never heard of him either. So now he can enjoy his famous countryside to his heart's content. He hasn't a friend in the world." * * * La Quintinie was not married, and as far as anyone knew he had no women friends. Some people attributed this to his unduly prolonged studies and his devouring passion for horticulture, which left him no time for falling in love. Yet over tea the Marquise de Cabannes would tell any lady who cared to listen how years ago a rich young widow, Madame de Rouque by name, had fallen madly in love with him. For months she pursued him, imploring him to return her passion, but the gardener, completely bound up in his work, remained unmoved. Madame de Rouque died of a broken heart. If La Quintinie now shut himself up in his garden, as another man might withdraw to a monastery, it must be because he was affected more deeply by her death than he had ever been prepared to admit. True or false, this doleful tale intrigued some women, and every so often a few of them would go and gaze at La Quintinie toiling alone in his garden, bearing in silence the burden of an ancient sin. * * * La Quintinie paid no heed to such comments about him as came to his ears, whether the gossip was due to jealousy or to admiration. All he cared about was his fruit and vegetables, and the weeds and insects that were a permanent threat to them. He was driven body and soul by the desire to provide for the King and his guests. Small and inactive though he might be in comparison with the generals promoting the glory of France far away, he had resolved to contribute to the glory of his King here before all the world. * * * A few weeks earlier the gardener had mingled with the crowd of peasants and seasonal workers who had gathered to watch the arrival of the court at Versailles. Though the sight was familiar by now it never ceased to fascinate him. The King's red coach, tossing up clouds of dust, drawn by six white horses and flanked by musketeers, drove into the great Cour de Marbre, the marble courtyard overlooked by the royal apartments. The King's coach was followed by a long line of carriages and an even longer procession of wagons and carts laden with cupboards, chandeliers, tables and marble busts. Slowly the crowd of travellers dispersed into the apartments and corridors of the château or disappeared along the garden paths. At all hours of the day and sometimes even at night the palace was invaded by petitioners, tradesmen, workmen, flunkeys and an ever-growing number of prostitutes. Soon, despite daily cleaning, the gilt and stucco ornamenting the apartments and the grand staircases became impregnated with the smell of excrement. But noise and odours alike, floating from the windows, faded away before they reached the kitchen garden. * * * It was harassing work, running the garden. Every morning for more than a month men had been going in and out of its various enclosures humping baskets of apples or oranges on their backs or carrying hurdles and stretchers laden with grapes, figs and pears. Wheelbarrows were needed to transport pumpkins and cabbages. But La Quintinie never wearied of supervising such work, though it might take several hours, depending on the size of the order. He examined all the boxes and baskets one by one, removing all imperfect specimens, which were sent to the royal stables or pheasantry. He neither knew nor cared what happened to his produce once it left his garden. If anyone asked the reason for this indifference he would shrug and say, "My fruit and vegetables go to feed humanity." The pride and pleasure he took in this simple certainty were enough for him. In the evening, after the workmen had gone home, he often stayed on by himself, writing or sketching in one of the little notebooks he kept in his pocket. The garden needed to be made to yield much more. He would roam tirelessly back and forth along the box-lined paths, dreaming up new layouts, different crops, all kinds of improvements. It was usually late at night before he returned to his apartments. People jested that one day his feet would sink into the earth, leaves and moss would sprout from his ears, and his arms would turn into branches. * * * Towards the end of the summer, when news of Turenne's and the Grand Condé's victories was confirmed, the atmosphere grew calmer. Though conversation in the corridors or out in the gardens still turned occasionally on stories of battles, most talk was now concerned with the King's latest love affair. "His head's been turned by Scarron's widow!" "Who?" "Scarron's widow -- governess to Madame de Montespan's children." "Who told you that?" "No one. I just know." Then suddenly, at the beginning of October, corridors, gardens and fountains all fell silent. The court had followed the King to Paris, where the accommodation was more comfortable at this time of year. Copyright (c) 1999 Éditions Grasset & Fasquelle.