可借阅:*
图书馆 | 资料类型 | 排架号 | 子计数 | 书架位置 | 状态 | 图书预约 |
---|---|---|---|---|---|---|
正在检索... Science | Reference Book | R 016.821 M266 V. 3 | 1 | Reference Material | 正在检索... 未知 | 正在检索... 不可借阅 |
正在检索... West | Reference Book | R 016.821 MAR V.3 | 1 | Reference Material | 正在检索... 未知 | 正在检索... 不可借阅 |
链接这些题名
已订购
摘要
摘要
This guide to poems written during the Old English and Medieval periods covers criticism from 1925 to 1990. There are 4500 explication on Chaucer, Beowulf, Piers Plowman, Sir Gawain and the Green Knight and many other works. Sources include books, journals, articles, anthologies and dissertations, and the bibiography reflects a variety of critical methods: new historical;Marxist; psychological; linguistic; stylistic; deconstructionist; and rhetorical. Poems are listed alphabetically by title, while the critical sources are listed under individual poems, and are arranged alphabetically by author.
评论 (1)
Choice 评论
This volume continues the expansion of J.M. Kuntz and N.C. Martinez's Poetry Explication (3rd ed., CH, May '81), a standard checklist of criticisms of individual poems. A two-volume Guide to American Poetry Explication has already appeared (CH, May '90); this is the first of four volumes for British poetry. Volumes on the Renaissance, Restoration through Victorian, and modern through contemporary periods are planned to follow. Nearly 4,500 English-language explications of Old English and Medieval poems are cited in this volume, compared with only 384 in the third edition. Criticisms of poems of more than 500 lines (e.g., Beowulf, Piers Plowman, the Canterbury Tales) and those published in books about single authors or in collections surveying periods or several poets, both omitted from earlier editions, are now included. This expanded coverage permits students to quickly identify important critical discussions of 400 early English poems not covered in previous editions. Explications are defined as examinations "of a work of literature for a knowledge of each part, for the relations of these parts to each other, and for their relations to the whole." Explications chosen are those deemed most essential for students and scholars. A variety of critical perspectives (Marxist, psychological, linguistic, stylistic, deconstructionist, and feminist) are represented. The many anonymous poems of this period are listed by title; poets are listed alphabetically by last name; and under name headings, poems are listed alphabetically by title. A list of main sources consulted concludes the book. This welcome expansion of a standard and valuable checklist is highly recommended for all academic libraries. -E. J. Carpenter, Oberlin College