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图书馆 | 资料类型 | 排架号 | 子计数 | 书架位置 | 状态 | 图书预约 |
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正在检索... Museum | Book | NX653 .W47 M98 1990 | 1 | Stacks | 正在检索... 未知 | 正在检索... 不可借阅 |
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摘要
摘要
Published in collaboration with the Henry Art Gallery in Seattle, this volume brings together an array of images that have influenced the world's perception of the American West. The superb reproductions (in color, duotone and b&w) include paintings, photographs and classic movie stills from Western films. The accompanying essays analyze the landsc
摘要
Published in collaboration with the Henry Art Gallery in Seattle, this volume brings together an array of images that have influenced the world's perception of the American West. The superb reproductions (in color, duotone and bandw) include paintings, photographs and classic movie stills from Western films. The accompanying essays analyze the landscape and the hero and explore the West's historic roots and contemporary relevance. 105/8x95/8". Annotation copyrighted by Book News, Inc., Portland, OR
评论 (2)
《图书馆杂志》(Library Journal )书评
For Bruce the ``myth of the west'' has two major aspects: the ``lone individual'' who becomes a hero and ``the landscape . . . the stage set upon which this drama of the western myth is played out.'' His focus in this exhibition catalog for the Henry Gallery in Seattle is the role of the visual arts in shaping and defining this myth. Bruce begins with the paintings of Catlin and Bodmer and ends with contemporary photographs and movies. The catalog's best essays are Brian W. Dipple's discussion of the mixing and merging of myth in Remington's paintings and Kathleen Murphy's examination of the mythic proportions of the movie Western. This is an informative and thought-provoking discussion of a major component of the American psyche.-- Douglas G. Camp bell, George Fox Coll., Newberg, Ore. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
《图书馆杂志》(Library Journal )书评
For Bruce the ``myth of the west'' has two major aspects: the ``lone individual'' who becomes a hero and ``the landscape . . . the stage set upon which this drama of the western myth is played out.'' His focus in this exhibition catalog for the Henry Gallery in Seattle is the role of the visual arts in shaping and defining this myth. Bruce begins with the paintings of Catlin and Bodmer and ends with contemporary photographs and movies. The catalog's best essays are Brian W. Dipple's discussion of the mixing and merging of myth in Remington's paintings and Kathleen Murphy's examination of the mythic proportions of the movie Western. This is an informative and thought-provoking discussion of a major component of the American psyche.-- Douglas G. Camp bell, George Fox Coll., Newberg, Ore. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.