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评论 (4)
出版社周刊评论
``My whole story as a woman: going down a flight of stairs, and hanging back at each step.'' Always a perceptive writer, French author Ernaux has outdone herself in this sharply painful story of a woman's aspirations slowly picked apart by reality. The narrator is a young woman who isn't so much frozen as caughtbetween the demands of her body and her mind, between what she can see for herself and what she is told, between being a wife/mother and being an individual. Ernaux's followers will recognize the narrator from Cleaned Out, A Man's Place and A Woman's Story, the daughter of a lower-middle class couple who run a combination grocery and cafe. Her unconventional mother encourages reading and studying at the expense of clean baseboards. For the narrator, adolescence brings the pressures of wanting to be wanted and comparing herself with a pernicious image of feminine perfection so unlike her own noisy, blowzy mother. As she gets older, that image is replaced by another fantasy: the romantic model of a man who will respect her and treat her as an equal. Marriage, a child, a move, a big job for her husband, and in the end, she is a woman who ``has never sat waiting on a bench for the afternoon to go by and the child to grow up.'' It's as though Ernaux has eavesdropped on the cathartic imaginary battles every woman has waged with her parents, her husband, her kids, herself. And while she is acutely self-aware, her writing is never self-pitying. ``Ten years later, I will be the one in a silent, sparkling kitchen, with flour and strawberries: I have stepped into the picture, and it's killing me.'' (May) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus评论
French writer Ernaux (Simple Passion, 1993, etc.) continues her thinly disguised fictional autobiography, this time recalling with numbing intensity her passage to a womanhood trapped by convention and domesticity. The unnamed narrator reworks some old ground as she describes growing up in a bourgeois but unconventional family. Her parents operated a small convenience store, a ``landscape'' where there were no ``mute, submissive women.'' Her father peeled potatoes, her mother kept the books, and both encouraged their daughter to excel at school. ``Dust doesn't exist for her [mother], or rather it's something natural, not a problem,'' and her mother teaches the narrator that ``the world is made to be pounced on...enjoyed...that there is absolutely no reason at all to hold back.'' But as the protagonist grows up, even though her parents spare her ``the idea that little girls are gentle and weak, and that they have different roles to play,'' she learns otherwise from her classmates. They boast of their mothers' domestic talents; then, as they grow older, it's fashion and boys. By high school, though tempted by their thinking, the narrator continues to aim for higher education and a career. In her final year of college, her resistance weakens when she falls in love and marries. Soon, she feels trapped by domesticity, and when pregnancy interrupts her finals she's desperate; even the furniture is an ``insidious entrapment'' demanding to be cared for. She completes her degree, starts teaching, then finds, like all women, that she has two jobs: Men are free after work; the supermarket is her reward ``for going out.'' Finally, another pregnancy and unending housework lead to her admission that ``pursuing a career'' is best left to men. She teaches part-time, her husband is successful, she wears expensive clothes, but she's a ``frozen woman.'' Very Gallic, very rational, very true. But, still, of all Ernaux's writing: the most polemical and arid.
《书目》(Booklist)书评
We know that ice burns, so it comes as no great surprise that a novel with the word frozen in the title would be a scorcher, especially one written by Ernaux, the queen of emotional intensity. This is the third installment in her fictionalized family portrait. In A Woman's Story (1991), the narrator's mother was portrayed, in A Man's Place (1992) her father, and now, in a work notable for its seething anger, we have the daughter. An only child of unconventional parents, living in a typically provincial, and deadly, small French town, our heroine grows up without any firm ideas about gender roles and with what turns out to be unrealistic intellectual ambitions. Ernaux chronicles her heroine's coming-of-age and all too quick slide into marriage and motherhood with a jolting mix of ire and dark humor, covering some grueling feminist territory and reminding us of some hard facts we've grown weary of confronting. By translating her fury over the daily injustices of sexism into a bracing tale of one young woman's dashed dreams, Ernaux reanimates many still valid concerns and seems, in the process, to set some personal demons free. --Donna Seaman
《图书馆杂志》(Library Journal )书评
In this autobiographical novel, the acclaimed author of Simple Passion (LJ 9/15/93) portrays her life up to age 30. As a child, the narrator observed how her mother ran the business and her father was househusband. As a university student, she marries and has a child, then finds it difficult to complete her studies, frustrated that her husband has cast her in the role of servant. Ernaux acutely portrays the women in her heroine's life, dividing them according to their interest in being the "desirable" wife and mother or in being more liberated, with the narrator clearly preferring the latter role. This outstanding book clearly expresses a young girl's confusion and a young woman's trapped feeling. Highly recommended for public and academic libraries.Ann Irvine, Montgomery Cty. P.L., Md. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.