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评论 (8)
《学校图书馆杂志》(School Library Journal)书评
Gr 3-6-Brooke bases his short novel on a Chinese tale, which Demi has made into a picture book (Liang and the Magic Paintbrush [Holt, 1988]) and Molly Bang retold as an easy reader (Tye May and the Magic Brush [Morrow, 1992]). This book is arranged in short chapters, each introduced by a philosophical aside. The orphaned baby Liang floats down the river in a basket, clutching a brush with the power to bring pictures to life. His rescuer, the impoverished peasant Li, never sees the magic happen, so he does not believe it. At seven, Liang meets a court painter and improbably falls in love with his portrait of a serving girl so beautiful that he mistakes her for a princess. Seven years later, when that same girl emerges, muddy and frightened, from the reeds, Liang does not recognize her. Thwarted as much by his own misperceptions and false assumptions as by his comic adversary, the extraordinarily fat, greedy emperor, Liang eventually saves himself and his beloved in an intricately plotted finale, his brush flying as fast as the furious action. European details (parchment, a coin portraying the emperor) cut this meditation on art and reality off from its traditional roots. Brooke's writing style and entertaining dialogue make for a beguiling read-aloud. Characters serve the plot, with gestures and actions staged against a minimal backdrop. However, like the ``fabulous meals'' Liang paints that ``all taste like fish and rice since that was the only taste he knew,'' the lack of setting and emotional connection makes the story, in the end, rather bland.-Margaret A. Chang, North Adams State College, MA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
《儿童读物杂志》(Horn Book)书评
The story of Liang, a foundling child who wields a magic paintbrush, is set in China. Liang's ability with the brush enables him to create monkeys and dragons, gold and emeralds, and to escape with his true love from the evil emperor. Lively and adventurous. From HORN BOOK 1993, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus评论
The author of two collections of splendidly witty extensions of favorite tales (A Telling of the Tales; Untold Tales) expands a Chinese folktale to novel length. Old Li raises a baby he finds floating in the river. But the indigent farmer is ignorant of the purpose of the paintbrush he finds in Liang's basket; and when the boy begins to experiment with it, Li's so impatient--he considers it a waste of time--that he even fails to see that the boy's paintings come to life. In time, Liang acquires real paint (he's been using mud); goes to court, where the Emperor's greed provides more opportunities for satire; has a number of close shaves involving a human-faced monkey (his own creation) and the princess's pretty servant girl; and discovers his tragic origins. Quick-witted Liang paints himself out of every predicament (a dragon and a ship are among his larger artifacts), meanwhile learning that his true magic is not in the brush but in his own creativity (an insight somewhat muddled by the fact that others also use the brush, though with problematic results). Brooke is less quizzically philosophical, his comedy less farcical in this more discursive format; still, he's fashioned a fast-moving fantasy, well embellished with clever details and sure to amuse readers. (Fiction. 9-13) Copyright ©Kirkus Reviews, used with permission.
《书目》(Booklist)书评
Gr. 4-7. Set in ancient China, this tale chronicles the adventures of a peasant boy named Liang. A poor farmer fishes a basket out of his rice paddy and finds the baby Liang inside, clutching a paintbrush. As he grows into young manhood, Liang finds that he can do magic with his brush. Every picture he paints becomes reality, from the half-monkey/half-man who becomes his comic sidekick, to the gold coins he paints for the greedy emperor. When danger threatens to annihilate all he loves and he has no brush to rely on, Liang learns that the magic resides not in the paintbrush but within himself. And the gift is his to use or misuse. Small black-and-white illustrations--graceful vignettes that help establish the setting--appear at the beginning of each chapter. The telling is somewhat mannered, and the theme is developed more fully than the characters, but this fantasy will still entertain readers, while carrying them far away and long ago. (Reviewed Jan. 1, 1994)006022973XCarolyn Phelan
《学校图书馆杂志》(School Library Journal)书评
Gr 3-6-Brooke bases his short novel on a Chinese tale, which Demi has made into a picture book (Liang and the Magic Paintbrush [Holt, 1988]) and Molly Bang retold as an easy reader (Tye May and the Magic Brush [Morrow, 1992]). This book is arranged in short chapters, each introduced by a philosophical aside. The orphaned baby Liang floats down the river in a basket, clutching a brush with the power to bring pictures to life. His rescuer, the impoverished peasant Li, never sees the magic happen, so he does not believe it. At seven, Liang meets a court painter and improbably falls in love with his portrait of a serving girl so beautiful that he mistakes her for a princess. Seven years later, when that same girl emerges, muddy and frightened, from the reeds, Liang does not recognize her. Thwarted as much by his own misperceptions and false assumptions as by his comic adversary, the extraordinarily fat, greedy emperor, Liang eventually saves himself and his beloved in an intricately plotted finale, his brush flying as fast as the furious action. European details (parchment, a coin portraying the emperor) cut this meditation on art and reality off from its traditional roots. Brooke's writing style and entertaining dialogue make for a beguiling read-aloud. Characters serve the plot, with gestures and actions staged against a minimal backdrop. However, like the ``fabulous meals'' Liang paints that ``all taste like fish and rice since that was the only taste he knew,'' the lack of setting and emotional connection makes the story, in the end, rather bland.-Margaret A. Chang, North Adams State College, MA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
《儿童读物杂志》(Horn Book)书评
The story of Liang, a foundling child who wields a magic paintbrush, is set in China. Liang's ability with the brush enables him to create monkeys and dragons, gold and emeralds, and to escape with his true love from the evil emperor. Lively and adventurous. From HORN BOOK 1993, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus评论
The author of two collections of splendidly witty extensions of favorite tales (A Telling of the Tales; Untold Tales) expands a Chinese folktale to novel length. Old Li raises a baby he finds floating in the river. But the indigent farmer is ignorant of the purpose of the paintbrush he finds in Liang's basket; and when the boy begins to experiment with it, Li's so impatient--he considers it a waste of time--that he even fails to see that the boy's paintings come to life. In time, Liang acquires real paint (he's been using mud); goes to court, where the Emperor's greed provides more opportunities for satire; has a number of close shaves involving a human-faced monkey (his own creation) and the princess's pretty servant girl; and discovers his tragic origins. Quick-witted Liang paints himself out of every predicament (a dragon and a ship are among his larger artifacts), meanwhile learning that his true magic is not in the brush but in his own creativity (an insight somewhat muddled by the fact that others also use the brush, though with problematic results). Brooke is less quizzically philosophical, his comedy less farcical in this more discursive format; still, he's fashioned a fast-moving fantasy, well embellished with clever details and sure to amuse readers. (Fiction. 9-13) Copyright ©Kirkus Reviews, used with permission.
《书目》(Booklist)书评
Gr. 4-7. Set in ancient China, this tale chronicles the adventures of a peasant boy named Liang. A poor farmer fishes a basket out of his rice paddy and finds the baby Liang inside, clutching a paintbrush. As he grows into young manhood, Liang finds that he can do magic with his brush. Every picture he paints becomes reality, from the half-monkey/half-man who becomes his comic sidekick, to the gold coins he paints for the greedy emperor. When danger threatens to annihilate all he loves and he has no brush to rely on, Liang learns that the magic resides not in the paintbrush but within himself. And the gift is his to use or misuse. Small black-and-white illustrations--graceful vignettes that help establish the setting--appear at the beginning of each chapter. The telling is somewhat mannered, and the theme is developed more fully than the characters, but this fantasy will still entertain readers, while carrying them far away and long ago. (Reviewed Jan. 1, 1994)006022973XCarolyn Phelan