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正在检索... Central | Juvenile Book | E 398.2 WOOD | 1 | Juvenile Non-Fiction | 正在检索... 未知 | 正在检索... 不可借阅 |
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评论 (3)
《学校图书馆杂志》(School Library Journal)书评
Gr 3-5A dozen brief stories mimic the flavor of traditional tales, with none of the meat. They are undeveloped in theme, plot, and character, leaving readers unsatisfied and bewildered. For example, in the title selection, a shepherdess makes friends with the coyotes, who kill and eat one of her sheep. Then, to escape her boring life, the girl runs off to live with the coyotes. The remaining tales seem similarly unconnected, rambling, and motiveless. Bryer's pictures, however, are luscious and savory. Each primitive painting is full of color, detail, and action, framed with borders containing designs of rugs, tinwork, feathers, birds, animals, and plants. The artist has taken the traditional devices of the Southwest and made them her own. The same is not true for Wood's stories. Too bad, as the stunning art deserves attention.Ruth Semrau, formerly at Lovejoy School, Allen, TX (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
《儿童读物杂志》(Horn Book)书评
In an informative, well-written preface, Wood explains the cultural roots of the storytelling traditions of the Pueblo Indians and describes common characteristics of the legendary trickster Coyote. The vivid colors and folk-art style of Bryer's artwork complement the twelve tales. Glos. From HORN BOOK 1995, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
《书目》(Booklist)书评
Ages 5 and up. As Wood notes in her preface, the coyote is "the embodiment of the great [American] Southwestern spirit, surviving against impossible odds." In many of these 12 original stories, the coyote is a central figure of survival amid the clash of Indian, Spanish, and Anglo cultures. The title story launches the book's exploration of conflict. When a sheepherder's daughter watches a pack of coyotes eat one of her father's sheep, she cries, "Those are my father's sheep!" and a coyote replies, "It's our nature to eat sheep." Sympathetic to the coyotes, the girl flees with the pack and is said to be heard singing with them every new moon. The stories vary greatly, but all are compellingly written, inventive, and tinged with mysticism and melancholy over an environment scarred by warring human interests. The striking, oil-on-linen illustrations also convey a complexity of viewpoint. Both primitive and ornate, traditional and contemporary, the paintings somehow wrestle the southwestern cliches of cactus and howling coyotes into emblems of great dignity. (Reviewed Sept. 15, 1995)0688139817Julie Yates Walton