Disponible:*
Bibliothèque | Type de document | Numéro de cote topographique | Nombre d'enregistrements enfants | Emplacement | Statut | Réservations du document |
---|---|---|---|---|---|---|
Recherche en cours... South | Paperback | CFAC 778.932 PETE | 1 | Fine Arts Collection | Recherche en cours... Inconnu | Recherche en cours... Indisponible |
Relié avec ces titres
Commandé
Résumé
Résumé
With more than 20 years' experience in wildlife photography, Moose Peterson is America's most accomplished documenter of endangered species. He reveals his professional secrets and techniques in his most comprehensive and spectacularly photographed guide to date. Peterson explains exactly how to make the most of your equipment and how to use animals' habits to optimize your results. Find the right tools for the job, including every type of lens; learn techniques such as panning, shooting from blinds, and remote triggering of the flash; and take expert advice on how to make the subject really come to life in your images. Understand how to use animals' habits to optimize your results, see how to frame the animal within a background for that perfect shot, and explore techniques for modifying the natural light to really highlight your subject. Of course, Peterson has fascinating stories to tell about his own experiences, and his fabulous photos provide real enjoyment even as they teach valuable lessons.
Table des matières
Introduction | p. 7 |
Chapter 1 Selecting and Using the Right Tool | p. 10 |
The Lens | p. 12 |
Vision and Money | p. 12 |
Brands/Manufacturers | p. 13 |
It Determines Your Style | p. 15 |
Rent First! | p. 16 |
Which Lens Is Really the Right One? | p. 18 |
Moose's Camera Bag | p. 21 |
Ultra-Wides: Fixed and Zooms | p. 22 |
Mid-Range Lenses | p. 25 |
Telephotos | p. 30 |
Super Telephotos | p. 33 |
Teleconverters | p. 35 |
Why Own Both the 400mm f/2.8 and 600mm f/4? | p. 37 |
Moose's "Specialty" Lenses | p. 39 |
Minimum Focusing Distance and Extension Tubes | p. 42 |
The Body | p. 43 |
The Digital Wildlife Photographer | p. 44 |
Five Benefits of Digital | p. 44 |
Five-Stop Range | p. 45 |
Virtually Unlimited Frames and Film | p. 45 |
Longer Lenses | p. 48 |
Faster Flash Sync Speed and Learning Curve | p. 49 |
The Megapixel Question | p. 51 |
The "Digital Factor" | p. 52 |
What's Up with Conventional Film? | p. 52 |
Four Advantages of Conventional over Digital | p. 53 |
Film Advance Speed | p. 54 |
Fast Film Rewind | p. 54 |
Viewfinder | p. 54 |
TTL Flash Plus Two More Advantages of Conventional | p. 55 |
Three Camera Body Features You Want in Digital or Conventional | p. 55 |
Autofocus | p. 55 |
Matrix or Evaluative Metering | p. 60 |
Flash | p. 61 |
More about TTL Flash | p. 62 |
Teddy Bear Exercise for Flash | p. 63 |
Using Flash for Color | p. 64 |
Flash Attachments and Accessories | p. 66 |
Supporting All of this Gear | p. 67 |
Proper Handholding | p. 67 |
Proper Long Lens Technique | p. 67 |
Tripods and Heads | p. 69 |
Panning Technique | p. 69 |
Filters for Thought | p. 71 |
The 81a | p. 71 |
The Technical Side | p. 72 |
The Psychological Side | p. 73 |
The Moose Filter (Warm Polarizer) | p. 75 |
The Split-graduated Neutral Density Filter | p. 76 |
Care for your Gear | p. 76 |
Chapter 2 Making the Subject Pop | p. 80 |
Creating "Pop" | p. 80 |
Four Keys to Isolating the Subject | p. 82 |
Light | p. 82 |
Light and Exposure | p. 83 |
Light and Communication | p. 86 |
Light and Drama | p. 87 |
The Direction of Light | p. 90 |
Light Quality | p. 92 |
Frontlight | p. 94 |
Sidelight | p. 96 |
Backlight | p. 97 |
Overcast | p. 99 |
Psychology of Color | p. 101 |
Tools for Color Psychology | p. 104 |
Exposure is Not a Four-Letter Word | p. 105 |
Moose's Meter | p. 106 |
Moose's Metering Method | p. 107 |
18% Gray Conclusion | p. 108 |
Teddy Bear Exercise | p. 109 |
Backgrounds and More | p. 111 |
Depth of Field | p. 113 |
Testing for Depth of Field | p. 114 |
Six-Pack Test | p. 114 |
Depth of Field and Teleconverters | p. 117 |
Chapter 3 Getting Close Physically | p. 118 |
Knowing Basic Biology | p. 120 |
Reading Sign | p. 123 |
No Photograph is Worth Risking the Welfare of any Subject! | p. 125 |
More Techniques | p. 129 |
Moving Closer by Stalking | p. 131 |
Having the Wildlife Come to You: Luring | p. 134 |
Natural Luring | p. 135 |
Ethics of Artificial Luring | p. 138 |
Artificial Luring Techniques | p. 140 |
Blinds | p. 144 |
Tent Blinds | p. 145 |
Portable Blinds | p. 146 |
Working Inside A Car | p. 147 |
Chapter 4 Bird Tales: Combining it all in the Field | p. 150 |
Red-Faced Cormorant | p. 152 |
Northern Hawk Owl | p. 154 |
Greater Sandhill Crane | p. 156 |
Snowy Egret | p. 157 |
Red-Shouldered Hawk | p. 159 |
Great Blue Heron | p. 161 |
Horned Puffin | p. 162 |
Bald Eagle | p. 164 |
Short-Billed Dowitcher | p. 165 |
California Gnatcatcher | p. 167 |
Chapter 5 Mammal Tales: Combining it all in the Field | p. 170 |
Grizzly Bear | p. 172 |
Moose Calf | p. 173 |
Santa Cruz Kangaroo Rat | p. 174 |
Rocky Mountain Bighorn Sheep | p. 177 |
Dall Sheep | p. 177 |
Bull Moose | p. 179 |
Musk Ox | p. 181 |
Arctic Ground Squirrel | p. 182 |
Northern Fur Seal | p. 184 |
San Joaquin Kit Fox | p. 186 |
A Last Word from the Moose | p. 188 |
Resources and Equipment | p. 190 |
Index | p. 192 |