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Bibliothèque | Type de document | Numéro de cote topographique | Nombre d'enregistrements enfants | Emplacement | Statut | Réservations du document |
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Recherche en cours... Branch | Book | 778.3 ANDREWS | 1 | Stacks | Recherche en cours... Inconnu | Recherche en cours... Indisponible |
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Résumé
Résumé
This complete and easy-to-follow introduction to Adobe Photoshop Elements sets this new package in the broader context of digital imaging, providing far more than just an introduction to the software package. Step-by-step tutorials, visual examples and tips show you how to put your new skills into practice, so you too can make the most of this package and achieve professional results. The associated website (www.guide2elements.com) makes sure you have all the tools you need to fine-tune your skills. Images featured in the book are provided online so you can try out each technique as you read - the quickest way to learn. Teachers' printable lesson plans are also included, along with useful links and updates so you have all you need at your fingertips. If you are just starting to work with digital images and have chosen Adobe Photoshop Elements as your manipulation package, then this guide is for you. You can create professional quality images for print, the Web and email with this innovative package. Special emphasis is placed on how to create a home page without having to learn HTML via the Web Photo Gallery; how to prepare images step-by-step, both for your website and for printing via high-quality ink jet printers. Philip Andrews is a photographer, author and lecturer at the Queensland School of Printing and Graphic Arts, Australia. He is also a regular contributor, or contributing editor, for several magazines, including 'Amateur Photographer', 'Digital Photography and Design', 'Better Digital', 'Australian Photography' and 'Digital Media World'.
Critiques (1)
Critique du Library Journal
This full-color beginner's guide to the Elements version of PhotoShop (intended for amateur photographers and digital-image hobbyists) opens with a brief introduction to digital imaging, then delves into foundational image manipulation techniques such as adding text, working with selections and layers, and preparing images for both the web and print. Useful features include a "jargon buster" glossary and a companion web site (www.guide2elements.com) that walks readers through step-by-step demonstrations of highlighted techniques. Public libraries should consider. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Table des matières
Foreword | p. xi |
The interface | p. 13 |
Real life digital imaging: the newspaper advertisement | p. 147 |
Chapter 8 Using Elements' Painting and Drawing Tools | p. 150 |
Painting tools | p. 151 |
The Impressionist Brush tool | p. 154 |
Erasing | p. 154 |
Drawing tools | p. 155 |
Real life digital imaging: producing a stylized business logo | p. 158 |
Chapter 9 Creating Great Panoramas | p. 161 |
Taking Photomerge images | p. 162 |
Starting the stitching process | p. 168 |
Menu bar | p. 15 |
Editing your panorama | p. 169 |
Real life digital imaging: constructing travel panoramas | p. 173 |
Chapter 10 Preparing Images for the Web or Email | p. 177 |
Images and the Net | p. 178 |
Getting the balance right | p. 179 |
Making your own web gallery | p. 182 |
Built for speed | p. 182 |
Going live | p. 183 |
Trouble-free web pages | p. 185 |
Making simple web animations with Elements | p. 187 |
Toolbox | p. 15 |
Traditional animation | p. 187 |
Animation--the Elements method | p. 188 |
Animation advice | p. 189 |
Web Based Printing | p. 191 |
Making you first web prints | p. 192 |
Real life digital imaging: a painterly cyber gallery | p. 194 |
Chapter 11 Preparing Images for Printing | p. 199 |
Printing the Elements way | p. 201 |
The link between paper type and quality prints | p. 203 |
Making your first print | p. 204 |
Tool types | p. 16 |
Printing a section of a full image | p. 206 |
Producing a contact sheet | p. 207 |
Making a print package | p. 209 |
Aiming for the best quality--balancing image size and quality | p. 211 |
Getting to know your printer--testing tones | p. 212 |
Getting to know your printer--testing resolution | p. 214 |
Getting to know your printer--managing color | p. 214 |
Real life digital imaging: a digital photographer's tale | p. 216 |
Chapter 12 Where to From Here? | p. 218 |
The differences between Elements and Photoshop | p. 218 |
Options bar | p. 19 |
Offset printing | p. 218 |
Web-based production | p. 220 |
Color management | p. 222 |
Automated functions | p. 223 |
Selections and paths | p. 224 |
Masking | p. 225 |
Curves | p. 227 |
Color Balance | p. 227 |
Who can guide me further? | p. 228 |
Chapter 13 Jargon Buster | p. 229 |
Palettes | p. 19 |
Index | p. 241 |
Shortcuts bar | p. 20 |
Chapter 3 First Steps | p. 21 |
Quick Start]New | p. 21 |
Quick Start]Open | p. 23 |
Acknowledgements | p. xiii |
Quick Start]Paste | p. 23 |
Quick Start]Acquire | p. 25 |
Ensuring good scans | p. 25 |
Downloading images from cameras | p. 26 |
Rotating | p. 29 |
Cropping | p. 29 |
Straightening | p. 30 |
Undo, Revert and History | p. 31 |
Zooming in and out | p. 32 |
Navigating | p. 33 |
Chapter 1 Welcome to the World of Digital Imaging | p. 1 |
Printing | p. 34 |
Saving | p. 34 |
Real life digital imaging: the school newsletter | p. 36 |
Chapter 4 Simple Image Changes | p. 38 |
Popularity can be a problem | p. 38 |
Before you start | p. 39 |
Image adjustment and enhancement | p. 42 |
Brightness | p. 43 |
Brightness/Contrast | p. 45 |
Auto Contrast | p. 46 |
The beginning--the digital image | p. 2 |
Auto Levels | p. 47 |
Fill Flash | p. 48 |
Adjust Backlighting | p. 50 |
Dodge and Burn tools | p. 51 |
Real life digital imaging: producing digital images for a photographic folio | p. 53 |
Strange colors in my images | p. 55 |
Color Cast | p. 58 |
Variations | p. 59 |
Red Eye Brush | p. 60 |
Filters | p. 62 |
Making the digital image | p. 4 |
The ten commandments for filter usage | p. 63 |
Hints | p. 70 |
Recipes | p. 71 |
Real life digital imaging: real estates go digital | p. 72 |
Chapter 5 Advanced Techniques | p. 75 |
Advanced tonal control | p. 76 |
Knowing your images | p. 76 |
Levels | p. 77 |
Pegging black and white points | p. 80 |
Advanced color control | p. 82 |
Quality factors in a digital image | p. 4 |
Hue/Saturation | p. 83 |
Variations | p. 86 |
Sponge | p. 87 |
Posterize | p. 88 |
Invert | p. 88 |
Sharpening techniques | p. 89 |
Sharpen and Sharpen More | p. 90 |
Sharpen Edges | p. 90 |
Unsharp Mask | p. 91 |
Sharpen/Blur tools | p. 93 |
The steps in the digital process | p. 7 |
Real life digital imaging: business and graphics combine | p. 95 |
Retouching techniques | p. 96 |
Dust and Scratches | p. 96 |
Clone Stamp | p. 99 |
Adding texture to an image | p. 101 |
The Noise filter | p. 102 |
The Grain filter | p. 104 |
The Texturizer filter | p. 106 |
Making your own textures | p. 109 |
Real life digital imaging: restoration of a family heirloom | p. 110 |
Where does Photoshop Elements fit into the process? | p. 9 |
Chapter 6 Using Selections and Layers | p. 113 |
Selection basics | p. 113 |
Drawing Selection tools | p. 115 |
Color Selection tools | p. 119 |
Modifying Selections | p. 119 |
Selections in action: advanced dodging and burning | p. 121 |
Selections in action: artificial depth of field | p. 125 |
Layers and their origins | p. 125 |
The Layers palette | p. 126 |
Layer types | p. 128 |
Chapter 2 Introducing Photoshop Elements | p. 12 |
Layer transparency | p. 131 |
Layer blend modes | p. 132 |
Layer Styles | p. 132 |
Real life digital imaging: the restaurant menu | p. 134 |
Chapter 7 Combining Text with Your Images | p. 137 |
Creating simple type | p. 138 |
Basic text changes | p. 139 |
Reducing the 'jaggies' | p. 141 |
Warping type | p. 143 |
Applying styles to type layers | p. 144 |