Choice Review

A musicologist and fastidious researcher, Caddy (Univ. of Auckland, NZ) offers a lucid recounting of the dance scene in Belle Epoche Paris. She uses the Ballets Russes, founded by Serge Diaghilev in Russia in 1907 and regarded by many as the greatest company of the century, as a turning point in the history of dance. Celebrated for its innovative modernist choreography and groundbreaking productions, the company serves as an excellent platform for the author's fresh perspective on the meaning of dance in this period. Henri Matisse created La Danse I, a study for a 13-foot mural in 1909 during the Belle Epoche period, and Caddy believes it functions metaphorically as the spirit of dance in this period. As the Ballets Russes devoted serious attention to the connection of music and dance, the company encouraged a collaborative work ethic. Choreographer Michel Fokine speaks of his creative interplay with Igor Stravinsky on L'Oiseau de feu in the book's introduction, and this creative way of working is outlined throughout. Caddy opens up new areas for debate in her contribution to the literature on this mesmerizing company. Not easy reading, but of special significance for scholars interested in the period and company. Summing Up: Highly recommended. Upper-division undergraduates through faculty and professionals. L. K. Rosenberg Miami University