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Library | Material Type | Call Number | Child Count | Shelf Location | Status | Item Holds |
|---|---|---|---|---|---|---|
Searching... South | Book | 111.85 TUAN Y | 1 | Non-fiction Collection | Searching... Unknown | Searching... Unavailable |
Searching... South | Book | 179 TUAN | 1 | Non-fiction Collection | Searching... Unknown | Searching... Unavailable |
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Summary
Summary
In this rich and rewarding work, Yi-Fu Tuan vividly demonstrates that feeling and beauty are essential components of life and society. The aesthetic is not merely one aspect of culture but its central core -- both its driving force and its ultimate goal.Beginning with the individual and his physical world, Tuan's exploration progresses from the simple to the complex. His initial evaluation of the building blocks of aesthetic experience (sight, hearing, smell, taste, touch) develops gradually into a wide-ranging examination of the most elaborate of human constructs, including art, architecture, literature, philosophy, music, and more.
Reviews (2)
Kirkus Review
Tuan (Geography/University of Wisconsin at Madison) attempts to elevate the idea of the aesthetic to what he considers its proper place in the social context, in particular to its place as the impetus behind the formation and sustaining of cultural systems. In the aesthetic (which Tuan defines as ``senses come to life''), the author believes he's found the driving force behind-- and the goal of--life, bringing it joy and giving it form. The aesthetic, he says, can be found reflected on every level of our existence. Tuan starts by poking around in the philosophical mode, examining the aesthetic expressions of our senses--fragrances, music, visual stimuli, the panoply of sounds--in some detail. He then muses over four diverse cultural/aesthetic milieus: those of Australian aborigines, medieval Europeans, Chinese, and modern Americans. Tuan's ruminations--on songlines and eremites, cathedrals and old hometowns, symbolic spaces and the state--are entertaining, and the breadth of his research is dazzling. But his meditations are left hanging: The linkages he hopes to construct- -between culture, nature, and the aesthetic; between the couplets of good/beautiful and moral/aesthetic--never fuse, regardless of how many curiosities are trotted out. Indeed, his legion of facts and anecdotes can come suffocatingly fast and furious. More problematical still are the times when soporifics lay thick on the ground (``metaphor reaches backward into synesthetic tendency and forward into symbol''). Tuan is a connoisseur of the arcane tidbit, but synthesis is not his forte.
Library Journal Review
Tuan, a geography professor (Univ. of Wisconsin-Madison) and author ( Topophilia , Columbia, 1990), persuasively argues that aesthetics is ``not merely a dimension or aspect of culture, but its emotional- aspirational core, both its drive and its goal.'' His analysis progresses from the individual and the physical world as accessed through sense experience to complex human creations of beauty in various media. Tuan also examines social contributions to aesthetics, especially as found in four disparate cultures: Australian Aboriginal, Chinese, medieval European, and America today. His work emphasizes positive aspects of social environmental issues, but it does not deny the human folly that has contributed to problems of the environment. Highly recommended for all libraries.-- Carolyn Craft, Longwood Coll., Farmwood, Va. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.