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Part One, Flights   Chapter One Bujumbura-NewYork, May 1994   On the outskirts of the capital, Bujumbura, there is a small international airport. It has a modern terminal with intricate roofs and domed metal structures that resemble astronomical observatories. It is the kind of terminal that seems designed to say that here you leave the past behind, the future has arrived, behold the wonders of aviation. But in Burundi in 1994, for the lucky few with tickets, an airplane was just the fastest, safest way out. It was flight.   In the spring of that year, violence and chaos governed Burundi. To the west, the hills above Bujumbura were burning. Smoke seemed to be pouring off the hills, as the winds of mid-May carried the plumes of smoke downward in undulating sheets, in the general direction of the airport. A large passenger jet was parked on the tarmac, and a disordered crowd was heading toward it in sweaty haste. Deo felt as if he were being carried by the crowd, immersed in an unfamiliar river. The faces around him were mostly white, and though many were black or brown, there was no one whom he recognized, and so far as he could tell there were no country people. As a little boy, he had crouched behind rocks or under trees the first times he'd seen airplanes passing overhead. He had never been so close to a plane before. Except for buildings in the capital, this was the largest man-made thing he'd ever seen. He mounted the staircase quickly. Only when he had entered the plane did he let himself look back, staring from inside the doorway as if from a hiding place again.   In Deo's mind, there was danger everywhere. If his heightened sense of drama was an inborn trait, it had certainly been nourished. For months every situation had in fact been dangerous. Climbing the stairs a moment before, he had imagined a voice in his head telling him not to leave. But now he stared at the hills and he imagined that everything in Burundi was burning. Burundi had become hell. He finally turned away, and stepped inside. In front of him were cushioned chairs with clean white cloths draped over their backs, chairs in perfect rows with little windows on the ends. This was the most nicely appointed room he'd ever seen. It looked like paradise compared to everything outside. If it was real, it couldn't last.   The plane was packed, but he felt entirely alone. He had a seat by a window. Something told him not to look out, and something told him to look. He did both. His hands were shaking. He felt he was about to vomit. Everyone had heard stories of planes being shot down, not only the Rwandan president's plane back in April but others as well. He was waiting for this to happen after the plane took off. For several long minutes, whenever he glanced out the window all he saw was smoke. When the air cleared and he could see the landscape below, he realized that they must already have crossed the Akanyaru River, which meant they had left Burundi and were now above Rwanda. He had crossed a lot of the land down there on foot. It wasn't all that small. To see it transformed into a tiny piece of time and space-this could only happen in a dream.   He gazed down, face pressed against the windowpane. Plumes of smoke were also rising from the ground of what he took to be Rwanda-if anything, more smoke than around Bujumbura. A lot of it was coming from the banks of muddy-looking rivers. He thought, "People are being slaughtered down there." But those sights didn't last long. When he realized he wasn't seeing smoke anymore, he took his face away from the window and felt himself begin to relax, a long-forgotten feeling.   He liked the cushioned chair. He liked the sensation of flight. How wonderful to travel in an easy chair instead of on foot. He began to realize how constricted his intestines and stomach had felt, as if wound into knots for months on end, as the tightne Excerpted from Strength in What Remains: A Journey of Remembrance and Forgiveness by Tracy Kidder All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.